This stage is the stage where life dances and spreads with power. It is the rebirth of all things after they have been destroyed and moving along the trajectory of a whirlpool. The artist believes that the whirlpool is a symbol of the soul. To survive is to absorb energy.

Life needs energy, and Jiang believes that the energy comes from the sun. Artworks in this series are composed of more than twenty abstract paintings superimposed on the invisible bottom layer. These paintings come from Jiang's feeling of sunlight, air, temperature, wind and elements that day to represent the color tone in the moment. She repeates this process the next day layering another color tone. By using a knife to carve and create dots, lines and planes, the final hue is formed, where the artist sees the colors unearthed. In this process, Jiang discards and sheds what she has learned in the past to present the will of the cosmos. Quoting the artist as she reveals the colors on the canvas: "It is telling me what it wants, what it has experienced."

A record of the stage where heaven and earth represent energetic colors. The circle is also the disc of the system, with a frame, which resembles the human eye and erected as the eye of "God" referring to the truth of life and the universe. True art requires an inner energy.

The circle inside the rhombus of ‘Heavenly Eyes’ represents the magnetic field, the whirl (the symbol of the soul), and the substance of point, line, and plane. It is also the reconfiguration of the trinity of soul, the cycle of reincarnation that all comes out of the Taiji (太極), and the colors hidden underneath depict the releasing of energy from light. The work is placed horizontally like the human eye and vertically to represent the eye of "God" to express a state of enlightenment and connections between the world and the beyond. These works are meant to serve as replenishment energy allowing the viewer a different perspective within a meditative moment.