OSAMU WATANABE: Unseen Sweet Nostalgia

Ginza New Gallery

2025.02.07 - 03.01

Whitestone Ginza New Gallery is pleased to announce the solo exhibition “Unseen Sweet Nostalgia” by Osamu Watanabe.

It has been a long time since we’ve experienced the elevated feeling of wonder. In today’s information-driven society, everything is exposed, and words like “mystery” and “the unknown” seem to have become obsolete. We’ve become intoxicated by the clarity of “understanding” and, in doing so, may have neglected the wealth of possibilities that the “unknown” holds.

Osamu Watanabe looks back on his origins, recalling memories such as watching his mother, a pastry chef, decorate sweets—a scene so vivid that even the sweet scent seems to rise from it. He also reflects on his childhood fascination with mythical creatures like Nessie, the Yeti, and UFOs, which he encountered through TV shows and magazines. Whether these creatures actually existed is irrelevant; what matters is the thrill of the chase and the imagination they sparked within him.

Now that life seems to be returning to normal after the pandemic, when our physical range of activities was limited and we were forced to turn inward, we continue to face ongoing global disasters and conflicts that threaten our peace. 
In such times, what can we rely on? 
The answer is nothing else but “individual happiness.”

The “dinosaurs” featured in this exhibition are metaphors for those blissful memories. The act of reminiscing itself is infused with a sweet narrative, filtered through time, which incorporates the present and connects to a future where we imagine a new axis of happiness—a nostalgia for a time yet to be seen.

Sculpting Happiness with Sweets: Interview with Osamu Watanabe

ABOUT

OSAMU WATANABE

OSAMU WATANABE

Osamu Watanabe is a prominent artist who has transformed the art of sweet decoration into a captivating art form. In 2000, Watanabe ventured into a new artistic field that he pioneered, known as ‘Fake Cream Art.’ This distinctive style uses artificial food materials to craft decorative and edible-looking treats inspired by various themes. Watanabe’s deep passion for confectionary art stems from his childhood, where his mother, a confectionary schoolteacher, instilled in him a love for sweets associated with joyful memories of anniversaries and birthdays. As a result, the idea of utilising candies became a focal point of his works.

Watanabe’s highly entertaining works have garnered widespread recognition, with prominent features on TV shows, department store displays, and collaborations with animation creators and beauty salons. Even among those with limited exposure to art, his creations have gained considerable acclaim. In an interview, Watanabe expressed his aspirations to collaborate and promote his artistic vision on a global scale, stating: “I would like to collaborate with various media and companies to realize projects that will link my style of expression with all kinds of cultures and spread it across the world as if the cream is volumizing itself.”

Using references from classical subjects frequently encountered in art history, Watanabe adds his unique touch to create a series of artworks that challenge conventional values and perceptions. While his renowned series revolves around animal themes, he has also produced various other series, such as adorning famous paintings and sculptures with fake cream and sweets, crafting dry landscape gardens adorned with fake white cream, and depicting decorated world heritage sites.

Watanabe’s talent has gained international recognition, leading to solo exhibitions in Japan and China, Italy, Belgium, Turkey, the United States, and South Korea. Furthermore, his works have been in prestigious collections, including the Ohara Museum of Art in Okayama Prefecture and the Kiyosu City Haruhi Art Museum in Aichi Prefecture.

OSAMU WATANABE: Unseen Sweet Nostalgia
2025.02.07 - 03.01

Ginza New Gallery

6-4-16 Ginza, Chuo-ku Tokyo, 104-0061, Japan
Tel: +81 (0)3 3574 6161
Fax: +81 (0)3 3574 9430
Opening Hours: 11:00 - 19:00
Closed: Sunday, Monday
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