白髪一雄

白髮一雄被譽為日本行動繪畫的先驅，是在國際間最受矚目的具體派藝術家。他藉由一邊抓著懸吊而下的繩子，一邊利用腳揮灑油彩，腳所及之處使得油彩在畫布上積累出濃稠的軌跡，作品充滿了強大奔放的能量但同時又帶有堅毅的意志力。在1955年加入具體美術協會之前，白髮一雄是「零社」活躍的成員，當時同社的藝術家還包括了田中敦子、金山明和村上三郎。法國的藝評家米歇爾．塔皮耶，當時席捲世界的「不定形藝術」的創始人，對於白髮一雄的才華曾給予高度的評價。白髮後期曾在比叡山的延曆寺入僧籍（法號為白髮素道）。1993年，其作品在威尼斯雙年展展出，至今仍繼續吸引著全世界各地的藝術藏家。

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白髪一雄

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Seven Warring States of Zhou Dynasty China: Swallow

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Special Exhibition of Shiraga Kazuo: The Centenary of His Birth The Very Best of Shiraga Kazuo

2024.04.26
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50 Years Since the End | The Gutai Art Association as seen at the National Museum of Art, Osaka

January 4, 2023
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50 Years Since the End | The Gutai Art Association Revives at the Nakanoshima Museum of Art, Osaka

December 27, 2022
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“Into the Unknown World — GUTAI: Differentiation and Integration” at the Nakanoshima Museum of Art and the National Museum of Art

October 19, 2022
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畫家白髮一雄與故鄉尼崎的白髮一雄紀念室

GUTAI STILL ALIVE 2015 vol.1
22/35

創新與傳統白髮一雄的行動繪畫

GUTAI STILL ALIVE 2015 vol.1
21/35

美術史家本江邦夫講解何為「具體美術協會」？

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COLLECTIONS

Les Abattoirs, Musée d’Art Moderne et Contemporain, Toulouse et Midi-Pyrénées Aichi Prefectural Museum of Art, Nagoya / Amagasaki Cultural Center, Amagasaki / Aomori Museum of Art, Aomori / Asago Art Village, Asago / Ashiya City Museum of Art and History, Ashiya / Bridgestone Museum of Art, Tokyo / Centre Régional d’Art Contemporain Midi-Pyrénées, Labège Chiba City Museum of Art, Chiba / Dallas Museum of Art, Dallas / Enryakuji Kaikan, Ōtsu / Fukuyama Museum of Art, Fukuyama / Hara Museum of Contemporary Art, Tokyo / Himeji City Museum of Art, Himeji / Hiroshima City Museum of Art, Hiroshima / Honkōji Temple, Amagasaki / Hyogo Prefectural Museum of Modern Art, Kobe / Iwaki City Art Museum, Iwaki / The Kagawa Museum, Takamatsu / Kisoji Art Museum, Agematsu / Kita Modern Art Museum, Nara / Kitakyushu Municipal Museum of Art, Kitakyushu / Komagata Jūkichi Museum of Art, Nagaoka / Kōsetsuin Temple, Kyoto / Kure Municipal Museum of Art, Kure / Meguro Museum of Art, Tokyo / Mie Prefectural Art Museum, Tsu / The Miyagi Museum of Art, Sendai / Musée Cantini, Marseille / Musée National d'Art Moderne, Centre Georges Pompidou, Paris / Museum and Archives, Kyoto Institute of Technology, Kyoto / Museum of Contemporary Art, Tokyo / The Museum of Art Ehime, Matsuyama / Museum of Fine Arts, Gifu / The Museum of Art, Ibaraki / The Museum of Art, Kochi / The Museum of Modern Art, Saitama / The Museum of Modern Art, Shiga / The Museum of Modern Art, Toyoama / The Museum of Modern Art, Wakayama / Nara Prefectural Museum of Art, Nara / The National Museum of Art, Osaka / The National Museum of Modern Art, Kyoto / The National Museum of Modern Art, Tokyo / Nerima Art Museum, Tokyo / Niigata Prefectural Museum of Modern Art/The Niigata Bandaijima Art Museum, Nagaoka / The Office of Tendaishū, Otsu / Ohara Museum of Art, Kurashiki / Oita Museum of Art, Oita / Osaka City Museum of Modern Art, Osaka / Otani Memorial Art Museum, Nishinomiya / Shizuoka Prefectural Museum of Art, Shizuoka / Takamatsu City Museum of Art, Takamatsu / Tanabe City Museum of Art, Matsue / Tochigi Prefectural Museum of Fine Arts, Utsunomiya / Tokyo Municipal Museum of Art, Tokyo / Tokyo Opera City Art Gallery, Tokyo / Walker Art Center, Minneapolis / The Warehouse, Dallas / Yokohama Museum of Art, Yokohama / Yokosuka Museum of Art, Yokosuka /

Work Ⅰ, 1958, oil on paper, 182.8 x 243.0 cm / Hyogo Prefectural Museum of Art

Untitled, 1962, oil on canvas, 73.0 x 91.0 cm

Untitled, 1962, oil on canvas, 81.0 x 116.0 cm

Wild Boar Hunting Ⅱ, 1963, oil, bore hide, and spent bullets on panel, 180.0 x 278.5 cm / Hyogo Prefectural Museum of Art

Daiitokuson, 1963, oil on canvas, 196.0 x 195.0 cm / Amagasaki-city

Shou-shou-shou, 1982, oil on canvas, 60.5x 72.7 cm

Kanotohitsuji no natsu, 1991, oil on canvas, 60.5 x 72.7 cm

1924: Born in Amazasaki city, Hyogo.
1937: Entered Hyogo Prefectural Amagasaki Middle School (now known as Amagasaki high school). In his second school year, Shiraga left Judo club and joined the newly opened art club.
1942: Studied Japanese painting at the Kyoto City Specialist School of Painting (later renamed as Kyoto City University of Arts). After doing the military service during the wartime, Shiraga returned to the school again.
1946: Due to pneumonia and rheumatic fever, Shiraga suffered in bed throughout this year. Shiraga was inspired by two art books written by Toyama Usaburo: "20seiki Kaiga Taikan" and "Jyunsui Kaiga-ron". The books were given by Kanayama Akira who owned a secondhand bookstore then.
1948: Shiraga married Uemura Fujiko and graduated from Kyoto Municipal School of Painting (renamed from Kyoto City Specialist School of Painting in 1945). After the graduation, his work style was shifted to Western painting.
1949: Joined the Osaka Municipal Institute of Art. Shiraga worked with Amagasaki Art Association, put great effort in preparation for Amagasaki City Exhibitions.
1950: Presented the work at the 1st Kansai Comprehensive Art Exhibition (Osaka City Museum of Fine Arts). Around this time, Shiraga studied with local painter Ito Tsuguro, who was a member of Shin-Seisaku-ha Kyokai (New Production Association).
1952: The 1st Amagasaki City Exhibition was held at the auditorium of Namba Elementary School, Amagasaki city. Genbi, short for Gendai Bijutsu Kondankai (Contemporary Art Discussion Group), was founded by a couple executives including Jiro Yoshihara. Shiraga established group Zero (Zero-kai) with Saburo Murakami , Akira Kanayama and Atsuko Tanaka.
1954: Shiraga started making his first foot paintings. Shiraga’s foot paintings were appeared in the 1st Zero-kai Exhibition (works were displayed in a store window of the Sogo Department Store, Osaka). At the end of this year, Shiraga was joined the meeting of Gutai group with an invitation by Shozo Shimamoto. Around this time, Shiraga gradually expanded the scale of his foot paintings.
1955: Shiraga moved to a new house in Amagasaki city and built himself a studio there. A joint meeting of the group Zero and the Gutai group was held at Shiraga's house, and the members of the group Zero (Akira Kanayama, Atsuko Tanaka, Saburo Murakami) were merged with the Gutai group. In this same year, Shiraga displayed his work at the 1st Gutai Art Exhibition (Ohara Kaikan, Tokyo) as a member of the Gutai group.
1957: Michel Tapié traveled to Shiraga's house. During this time until 1960, Shiraga worked at the Amagasaki Municipal Seibun Elementary School.
1959: Received a purchasing award at the 11th Premio Lissone International Exhibition(Italy).
1962: Gutai Art New-Work Exhibition was held at Gutai Pinacotheca in Osaka.
1964: Received an award of Excellence at the 6th Japanese Contemporary Art Award (Received the same award on the 7th Japanese Contemporary Art Award in 1966).
1965: Presented the work at the Exhibition Nul 1965 (Stedelijk Museum, Amsterdam).
1968: Shiraga and Sadamasa Motonaga offered stage design for the 25th Regular Performance "Jigokuhen(Hell Screen)" by Kansai Opera Company.
1971: Shiraga ceased painting completely and begun training at the Tendai-sect Buddhist Enryakuji temple on Mount Hiei. He was given the monk name Sodo (Simple Path).
1979: Took a debate-style examination called Kogakuryugi at the Enryakuji temple.
1984: Exhibition Sadamasa Motonaga and Kazuo Shiraga (Museum of Modern Art, Wakayama).
1985: Exhibition Kazuo Shiraga: Dynamism in Abstraction (Hyogo Prefectural Museum of Art).
1989: Exhibition: Encounter of Body and Matière (Amagasaki Cultural Center, Hyogo).
2001: Exhibition Kazuo Shiraga: Action Painter was held at the Hyogo Prefectural Museum of Art.
2008: Died in Amagasaki due to sepsis on April 8th.
2009: Exhibition Kazuo Shiraga: Painting Born Out of Fighting (Amagasaki Cultural Center (and other locations)).
2012: Exhibition Gutai: The Spirit of an Era (The National Art Center, Tokyo)
2013: Exhibition Gutai: Splendid Playground (Guggenheim Museum, NewYork)
2015: Exhibition Between Action and the Unknown: The Art of Kazuo Shiraga and Sadamasa Motonaga (Dallas Museum of Art)

白髪一雄

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ARTICLES

MAJOR EXHIBITIONS, COLLECTIONS

IMAGES

BIOGRAPHY

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