黃宇興: 吠娃湖
東京
2019.03.09 - 04.07
2019.03.09 - 04.07
開幕酒會: 03.09, 5:00 – 7:00 PM
藝術家本人將會出席。
日本白石畫廊非常榮幸宣布此次 黃宇興特展:吠娃湖。此次特展是藝術家於日本的個人展覽
黃宇興出生於北京,2000年畢業於中央美術學院壁畫系,2015年作為「余德耀美術館項目空間」首位受邀藝術家進行創作,現工作生活於北京。黃宇興的繪畫並不受制於某一個理想形象的規定,卻是從繪畫內部自然生長出來的。從他早期的實踐直到現在,水、樹林、礦石、晶體乃至建築均是他鍾愛的母題。即便他從未忠實地再現這些意象的形象,但他也沒有完全拋棄現實世界中的物象。甚至試圖還原這些物體給人們造成的心理印象。例如在一條河流面前,人們常常會出神,不自覺地發呆起來。作品中的斑斕色彩,也能讓觀眾們沈浸在類似的精神狀態中。而與法國印象主義點描派不同的是,黃宇興並未被動地等待觀者們的眼睛混合那些純色,而是主動地通過一層層的覆蓋和一遍遍的調整,最終達到自己滿意的狀態。如此地設置繪畫進程,旨在激發繪畫內在的活力。色彩、形狀和構圖的被動調整牽引著藝術家的行動,令他無暇停歇地應對著;這一過程中,繪畫獲得了鮮活而自足的生命和不斷生長的主動性。
我們誠摯地邀請您前來參觀,體驗淺藏在黃宇興作品中那充滿活力的色彩及構思。
Tokyo
5-1-10 Ginza, Chuo-ku, Tokyo, 104-0061, Japan
Tel: +81 (0)3 3574 6161
Opening Hours: 11:00 - 19:00
Closed: Monday
ARTIST
Born in Beijing, Huang Yuxing graduated from the Department of Mural Painting at the Central Academy of Fine Arts in 2000. He was the first guest artist at the Yuz Museum Project Room in 2015. Huang Yuxing's work is not limited to the standard of a certain ideal image, but also grows naturally from within the painting. From the beginning of his career, water, whirlpools, forests, minerals, crystals, and even architecture have been consistently his favorite motifs. Although never tries to precisely represent these objects naturalistically, he has neither completely abandoned their shape in the real world. Moreover, he even attempts to reconstruct the impression of these objects. For example, when standing in front of a river, people usually tend to stare blankly without realizing it. The colors that Huang Yuxing loads onto the canvas immerse the audience in the same emptiness. But different from the Pointillism of Post-Impressionists, Huang never passively waits for the audience's eyes to mix the solid colors, but overlaps the colors and adjusts them over and over to finally reach his point of satisfaction; he intends to evoke the energy within his paintings by abiding this creative process. The modification of colors, shapes, and compositions has taken control of the artist and kept him busy. It is during this process that the painting gains for itself a life of freshness and self-sufficiency, as well as the motivation for continuous growth.