奇胡利:輕井澤 2021 奇胡利:輕井澤 2021 © Chihuly Studio

奇胡利:輕井澤 2021

與自然和諧相處的玻璃藝術

2021.09.04

INTRODUCTION

戴爾・奇胡利是位美國藝術家,以革新玻璃工作室運動與提升對媒介的看法而聞名。 奇胡利在半個多世紀以來,持續利用顏料、木炭、石墨、霓虹燈、冰塊及聚合物(Polyvitro)等各式各樣媒介來探索對特定空間中的可能性,同時善用色彩與光線來實現自己的理念。天花板上反射著色彩鮮豔玻璃、舊木船被轉變成閃閃發光的玻璃雕塑,或是融入植物園之中的並置雕塑。奇胡利透過色彩、光線、形式與空間的組合,創造出令人著迷的景象。自然與無機玻璃相輔相成,營造出一種獨特的和諧。

花道 © Chihuly Studio

花道

威尼斯系列的演變,花道作品的靈感來自日本的插花藝術。其特色為長莖的花葉被戲劇性地呈現於花瓶般的容器中。

奇胡利極早便意識到將花道融入花園環境中的潛力。花道在花園、玻璃溫室和溫室中,為自然環境帶來一種夢幻感。

珊瑚紅莖葉與鍍金琥珀花道

1998, 183 × 97 × 51cm

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鈷藍蛙腳與莫內藍花道

2002, 137 × 91 × 38cm

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珊瑚紅莖葉與鍍金琥珀花道

1998, 183 × 97 × 51cm

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鈷藍蛙腳與莫內藍花道

2002, 137 × 91 × 38cm

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珊瑚紅莖葉與鍍金琥珀花道
鈷藍蛙腳與莫內藍花道
威尼斯 © Chihuly Studio

威尼斯

威尼斯是一種拘泥形式與無拘無束豐富表現的不可思議結合,此系列是始於奇胡利和義大利玻璃吹製藝術大師利諾.塔亞彼耶得拉(Lino Tagliapietra)的一場實驗。威尼斯的設計核心是帶有各種浮誇、華麗附件如蛇形手柄、樹葉、扭曲線圈及緞帶等的古典容器。

紫水晶花與海藍威尼斯

2015, 79 × 41 × 28cm

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藍寶石和琥珀花與透明威尼斯

2009, 86 × 41 × 36cm

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紫紅手柄與鍍金紫色小威尼斯

2002, 30 × 18 × 13cm

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水晶花與寶石紅威尼斯

2014, 91 × 30 × 30cm

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鍍金渦旋線圈與鍍銀紅銅小威尼斯

2009, 56 × 20 × 20cm

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淡琥珀捲曲與鍍銀小威尼斯

2009, 38 × 25 × 18cm

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捲曲與鍍銀除蟲菊黃小威尼斯

1999, 38 × 18 × 13cm

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白英和深紅卷丹與鍍銀威尼斯

2009, 46 × 43 × 41cm

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紫水晶花與海藍威尼斯

2015, 79 × 41 × 28cm

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藍寶石和琥珀花與透明威尼斯

2009, 86 × 41 × 36cm

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紫紅手柄與鍍金紫色小威尼斯

2002, 30 × 18 × 13cm

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水晶花與寶石紅威尼斯

2014, 91 × 30 × 30cm

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鍍金渦旋線圈與鍍銀紅銅小威尼斯

2009, 56 × 20 × 20cm

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淡琥珀捲曲與鍍銀小威尼斯

2009, 38 × 25 × 18cm

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捲曲與鍍銀除蟲菊黃小威尼斯

1999, 38 × 18 × 13cm

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白英和深紅卷丹與鍍銀威尼斯

2009, 46 × 43 × 41cm

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紫水晶花與海藍威尼斯
藍寶石和琥珀花與透明威尼斯
紫紅手柄與鍍金紫色小威尼斯
水晶花與寶石紅威尼斯
鍍金渦旋線圈與鍍銀紅銅小威尼斯
淡琥珀捲曲與鍍銀小威尼斯
捲曲與鍍銀除蟲菊黃小威尼斯
白英和深紅卷丹與鍍銀威尼斯
波斯 © Chihuly Studio

波斯

在奇胡利眾多極具戲劇性的裝置中,波斯呈現的是對形式、形狀和顏色的探索,一種狂野不對稱與渦旋圖案的讚揚。此系列作品帶有古老的感性,對奇胡利來說,它讓人想起威尼斯、近東和遠東的概念。

投影紫水晶波斯牆

2021, 137 × 244 × 38cm

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彩紋瑪瑙邊緣與亮橘色波斯組

2015, 43 × 84 × 97cm

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烏木邊緣與柿子橘色波斯組

2015, 28 × 61 × 43cm

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黑色邊緣與鉻橘色波斯組

2015, 30 × 76 × 53cm

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墨色邊緣與茜草橘色波斯組

2015, 41 × 114 × 66cm

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投影紫水晶波斯牆

2021, 137 × 244 × 38cm

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彩紋瑪瑙邊緣與亮橘色波斯組

2015, 43 × 84 × 97cm

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烏木邊緣與柿子橘色波斯組

2015, 28 × 61 × 43cm

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黑色邊緣與鉻橘色波斯組

2015, 30 × 76 × 53cm

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墨色邊緣與茜草橘色波斯組

2015, 41 × 114 × 66cm

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投影紫水晶波斯牆
彩紋瑪瑙邊緣與亮橘色波斯組
烏木邊緣與柿子橘色波斯組
黑色邊緣與鉻橘色波斯組
墨色邊緣與茜草橘色波斯組
海洋生物 © Chihuly Studio

海洋生物

編籃系列的自然演變,奇胡利的海洋生物薄而透明。彩色螺旋邊緣包裹著作品,並利用光學模具增加玻璃的強度,產生稜紋效果。其結果呈現出具自然節奏和流動性的作品——向大海致敬。

黑白海洋生物組

2018, 36 × 81 × 56cm

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黑白海洋生物組

2018, 38 × 71 × 69cm

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篝火邊緣與黃褐色金葉海洋生物組

2014, 23 × 48 × 28cm

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紅寶石色邊緣與黃褐色金葉海洋生物組

2014, 18 × 38 × 28cm

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黑白海洋生物組

2018, 36 × 81 × 56cm

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黑白海洋生物組

2018, 38 × 71 × 69cm

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篝火邊緣與黃褐色金葉海洋生物組

2014, 23 × 48 × 28cm

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紅寶石色邊緣與黃褐色金葉海洋生物組

2014, 18 × 38 × 28cm

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黑白海洋生物組
黑白海洋生物組
篝火邊緣與黃褐色金葉海洋生物組
紅寶石色邊緣與黃褐色金葉海洋生物組
圓桶 © Chihuly Studio

圓桶

自1975年起,奇胡利不斷創造了一系列的圓桶作品,其將玻璃線狀繪圖融合在熔化氣泡上。這種革命性的「拾取繪畫」技術讓奇胡利從他的早期作品開始就能整合各種圖案,特別是受美國原住民紡織品啟發的紋樣。

黑色圓筒

2008, 33 × 13 × 13cm

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黑色圓筒

2008, 20 × 18 × 18cm

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黑色圓筒

2013, 79 × 15 × 15cm

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亮橘色地毯圓筒

2010, 30 × 15 × 15cm

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透明地毯圓筒

2010, 36 × 20 × 20cm

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十字繡黃碎片地毯圓筒 #43

2012, 43 × 15 × 15cm

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繪畫與鍍金朱紅白圓筒

2019, 43 × 18 × 18cm

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松綠地毯圓筒

2016, 25 × 13 × 13cm

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紅與鉻黃碎片地毯圓筒 #50

2019, 28 × 20 × 20cm

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黑色圓筒

2008, 33 × 13 × 13cm

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黑色圓筒

2008, 20 × 18 × 18cm

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黑色圓筒

2013, 79 × 15 × 15cm

Price: Private

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亮橘色地毯圓筒

2010, 30 × 15 × 15cm

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透明地毯圓筒

2010, 36 × 20 × 20cm

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十字繡黃碎片地毯圓筒 #43

2012, 43 × 15 × 15cm

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繪畫與鍍金朱紅白圓筒

2019, 43 × 18 × 18cm

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松綠地毯圓筒

2016, 25 × 13 × 13cm

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紅與鉻黃碎片地毯圓筒 #50

2019, 28 × 20 × 20cm

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黑色圓筒
黑色圓筒
黑色圓筒
亮橘色地毯圓筒
透明地毯圓筒
十字繡黃碎片地毯圓筒 #43
繪畫與鍍金朱紅白圓筒
松綠地毯圓筒
紅與鉻黃碎片地毯圓筒 #50

紙上作品

對奇胡利來說,繪畫就如同玻璃吹製般自然。奇胡利利用壓克力顏料、水彩、墨水、鉛筆、木炭、石墨,甚至是火來呈現它充滿活力和豐富性的想法。作品的範圍從輕盈飄逸到大膽多彩。部分作品與奇胡利的玻璃雕塑相關,部分則是他們自己的經驗。

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© Chihuly Studio

編籃繪畫

2009, 76 × 56cm

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編籃繪畫

2009, 76 × 56cm

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編籃繪畫

2012, 76 × 56cm

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編籃繪畫

2013, 76 × 56cm

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黑色花道繪畫

2008, 76 × 56cm

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黑色成對花道繪畫

2008, 76 × 56cm

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燒毀的黑色圓筒繪畫

2007, 76 × 56cm

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燒毀的圓筒繪畫

2013, 76 × 56cm

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奇胡利佔領威尼斯繪畫

1996, 107 × 76cm

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銅器與翡翠的花道繪畫

2007, 76 × 56cm

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飄遊物和蘆葦繪畫

2008, 76 × 56cm

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花道繪畫

2009, 76 × 56cm

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花道繪畫

2011, 76 × 56cm

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花道光繪

2019, 107 × 81cm

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花道光繪

2019, 107 × 81cm

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檸檬和藍寶石色花道繪畫

2008, 76 × 56cm

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小威尼斯繪畫

1997, 76 × 56cm

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小威尼斯繪畫

1997, 76 × 56cm

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綠松石和金色花道繪畫

2008, 76 × 56cm

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威尼斯繪畫

1988, 56 × 76cm

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威尼斯繪畫

1989, 56 × 76cm

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威尼斯繪畫

1989, 56 × 76cm

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威尼斯繪畫

1991, 76 × 56cm

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威尼斯繪畫

2009, 76 × 56cm

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編籃繪畫

2009, 76 × 56cm

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編籃繪畫

2009, 76 × 56cm

Price: Private

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編籃繪畫

2012, 76 × 56cm

Price: Private

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編籃繪畫

2013, 76 × 56cm

Price: Private

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黑色花道繪畫

2008, 76 × 56cm

Price: Private

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黑色成對花道繪畫

2008, 76 × 56cm

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燒毀的黑色圓筒繪畫

2007, 76 × 56cm

Price: Private

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燒毀的圓筒繪畫

2013, 76 × 56cm

Price: Private

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© Chihuly Studio

奇胡利佔領威尼斯繪畫

1996, 107 × 76cm

Price: Private

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© Chihuly Studio

銅器與翡翠的花道繪畫

2007, 76 × 56cm

Price: Private

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© Chihuly Studio

飄遊物和蘆葦繪畫

2008, 76 × 56cm

Price: Private

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© Chihuly Studio

花道繪畫

2009, 76 × 56cm

Price: Private

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花道繪畫

2011, 76 × 56cm

Price: Private

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花道光繪

2019, 107 × 81cm

Price: Private

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花道光繪

2019, 107 × 81cm

Price: Private

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檸檬和藍寶石色花道繪畫

2008, 76 × 56cm

Price: Private

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小威尼斯繪畫

1997, 76 × 56cm

Price: Private

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小威尼斯繪畫

1997, 76 × 56cm

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綠松石和金色花道繪畫

2008, 76 × 56cm

Price: Private

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© Chihuly Studio

威尼斯繪畫

1988, 56 × 76cm

Price: Private

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威尼斯繪畫

1989, 56 × 76cm

Price: Private

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威尼斯繪畫

1989, 56 × 76cm

Price: Private

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威尼斯繪畫

1991, 76 × 56cm

Price: Private

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威尼斯繪畫

2009, 76 × 56cm

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ABOUT

戴爾・奇胡利

戴爾・奇胡利

戴爾・奇胡利

戴爾・奇胡利是位美國藝術家,以革新玻璃工作室運動與提升對媒介的看法而聞名。以在世界各地的城市、博物館及花園中雄偉的藝術裝置而廣為人知。奇胡利利用玻璃、顏料、木炭、霓虹燈、冰塊及聚合物(Polyvitro)等各式各樣媒介來實現他的創作理念。奇胡利的作品全世界200多間博物館收藏,包括大都會藝術博物館、史密森尼美國藝術博物館和康寧玻璃博物館。主要展覽包括奇胡利佔領威尼斯(Chihuly Over Venice ,1995-96)、奇胡利在耶路撒冷光芒中(Chihuly in the Light of Jerusalem, 1999)、舊金山笛洋美術館(2008)、波士頓美術館(2011)、里奇蒙市的維吉尼亞美術館(2012)、加拿大蒙特婁美術館(2013)、多倫多安大略省皇家博物館(2016)、阿肯色州本頓維爾市的水晶橋美國藝術博物館(2017)、荷蘭格羅寧根博物館 (2018)及英國倫敦基尤皇家植物園(2019)。在西雅圖中心的奇胡利花園和玻璃美術館(Chihuly Garden and Glass)之常設展覽則於2012年開設。
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