田中敦子 田中敦子

田中敦子

田中敦子
田中敦子

田中敦子自1955年加入具體美術協會,隔年在〈舞台上的具體藝術〉中發表《電氣服》一作,由無數上了琺瑯顏料的燈泡及燈管組成,獨樹一格,從此獲高度矚目。她的靈感是來自由無數圓圈及線條交織而成的電路圖。田中敦子一直使用合成樹脂琺瑯彩作為創作媒材,光滑的質感和鮮豔的色彩使得作品呈現相當出眾。 田中敦子被公認和白髮一雄,元永定正為具體派早期的代表人物之一,作品參與歐美眾多重要展覽。

 

關於具體 »

ARTWORKS

ARTICLES

藝術與建築的共鳴|菱田昌平與白石畫廊描繪的藝術生活

2024.08.09
ART × ARCHITECTURE

50 Years Since the End | The Gutai Art Association as seen at the National Museum of Art, Osaka

January 4, 2023
ART NEWS

50 Years Since the End | The Gutai Art Association Revives at the Nakanoshima Museum of Art, Osaka

December 27, 2022
ART NEWS

對伊藤加奈子的採訪 金山明與田中敦子創作基地所在的大阪妙法寺 與藝術家共同走過的出發點和終點(前篇)
GUTAI STILL ALIVE 2015 vol.1
26/35
田中敦子與「具體」「具體」對田中的影響及退會後的軌跡
GUTAI STILL ALIVE 2015 vol.1
25/35
美術史家本江邦夫講解 何為「具體美術協會」?

GUTAI STILL ALIVE 2015 vol.1
01/35

MAJOR EXHIBITIONS, COLLECTIONS

COLLECTIONS

The National Museum of Modern Art (Tokyo) / The Ashiya City Museum of Art & History / Museum of Contemporary Art (Tokyo) / Hyogo Prefectural Museum of Art (Hyogo, Japan), etc.

IMAGES

Atsuko Tanaka Displaying "Electric Dress" at the 2nd Gutai Art Exhibition(Ohara Kaikan, Tokyo) 1956 ©︎Ryoji Ito
Atsuko Tanaka drawing a picture at home(myohoji), 1966, ©︎Ryoji Ito
Atsuko Tanaka standing in front of "Work" 1964(currently "Untitled" Museum of Modern Art, New York) at the venue of the 6th Exhibition of Contemporary Japanese Art (Tokyo Metropolitan Art Museum) ©︎Ryoji Ito
Work, 1958, Vinyl paint on canvas, 223.8 x 183.5 cm / Hyogo Prefectural Museum of Art(The Yamamura Collection) ©︎Ryoji Ito
Gate of hell, 1965-69, Vinyl paint on canvas, 331.5 x 245.5 cm / The National Museum of Art, Osaka ©︎Ryoji Ito
Thanks Sam, 1963, Vinyl paint on canvas, 226.0 x 194.0cm / Chiba City Museum of Art ©︎Ryoji Ito
'87H, 1987, Vinyl paint on canvas, 193.7 x 257.5 cm / Ashiya City Museum of Art & History ©︎Ryoji Ito
'94B, 1994, Vinyl paint on canvas, 300.0 x 510.0 cm / Toyota Municipal Museum of Art ©︎Ryoji Ito
Work, 1955, Rayon, 1000 x 1000 cm / 2007 reconstructed for the documenta 12, Kassel Germany, Photo by Mizuho Kato

BIOGRAPHY

1932
Tanaka was born on February 10th, as a fifth female children of the father, Ishimatsu and mother Tami, in Osaka. (Tanaka had four older sisters and four older brothers).
1950
Studied at the Osaka Municipal Institute of Art. Akira Kanayama and Kazuo Shiraga were her fellow students.
1951
Entered the Kyoto Municipal College of Art (now known as Kyoto City University of Arts). However, Tanaka left the college in the autumn of the same year to re-enter the Osaka Municipal Institute of Art. She began making abstract painting on Kanayama's advice.
1953-54
Tanaka was hospitalized and stayed in there for a while. In anticipation of the days left until her return to home, Tanaka wrote numbers and drew along their contours with oil pastel. She reflected on this moment by saying that this was the first time she perceived the concept of art. After she returned to home, she made a series of collages with the motif of numbers, such as Calender. Tanaka became a member of the artist's group Zero(Zero-kai), formed by the young innovative artists including Akira Kanayama, Kazuo Shiraga and Saburo Murakami.
1955
Major members of the group Zero associated with the Gutai group, an avant-garde artist's group led by Jiro Yoshihara. At the Experimental Outdoor Exhibition of Modern Art to Challenge the Midsummer Sun (held in Ashiya park, Hyogo), Tanaka exhibited an installation work made of 10m square of pink artificial silk-rayon hanging from the 30cm above the ground. Tanaka presented the work Work(Bell) at the 1st Gutai Art Exhibition (held at Ohara hall, Tokyo). The Work(Bell) comprises twenty electric alarm bells to activate a sequence of ringings.
1956
At the Outdoor Gutai Art Exhibition (held in Ashiya park, Hyogo), Tanaka exhibited the work Stage Clothes made of seven giant human forms placed in a row, equipped with blinking light bulbs and human or cross-shaped work the front of which was covered with flickering light bulbs. At the 2nd Gutai Art Exhibition (held at Ohara hall, Tokyo) on the same year, Tanaka presented Electric Dress, a dress literally made of light bulbs and tube lumps.
1957
At the Gutai Art on the Stage(Sankei Kaikan hall, Osaka / Sankei Hall, Tokyo), Tanaka presented the performance work Stage Clothes consisting of three electric dresses in addition to the other works made with stage dresses changing color and shape in an unexpected manner. Around this time, Tanaka developed her work style which comprised with entangled light bulbs and their codes into two-dimensional drawings.
1963
Atsuko Tanaka Solo Exhibition was held at the Gutai Pinacotheca in Osaka. Drawings inspired by her work Electric Dress and the work Three Black Balls were included in this exhibition.
1964
Tanaka's work Thanks, Sam was included for the exhibition Guggenheim International Award
1964
(Guggenheim Museum, New York). At the 6th Contemporary Art Exhibition (held at Tokyo metropolistan Art Museum and other places) of Japan, Tanaka's work Untitled received an award of excellence.
1965
Exhibition The New Japanese Painting and Sculpture was held at the San Francisco Museum of Art, toured to The Museum of Modern Art, New York and other museums in America. Her work Untitled(1964) was purchased by the Museum of Modern Art, New York. Tanaka and Kanayama left the Gutai group. Around this time, her condition was not well, and she subsequently married Kanayama, who was a good supporter of her.
1968
A performance work Round on Sand was shown in Awaji Island. The performance was held on the beach to draw on sand.
1972
Moved from Osaka city to Asuka-mura, Takaichi-gun in Nara prefecture, seeking the quiet environment.
1986
Exhibition Japon des avant gardes, 1910 - 1970 (Centre Georges Pompidou, Paris) included her drawings inspired by her own work Work(Bell), Electric Dress, and Eletric Dress.
1993
Presented the work made of pink rayon and such to the 45th Venice Biennale, Passage to Orient.
2001
Tanaka's first major retrospective exhibition Atsuko Tanaka: Search for an Unknown was held at the Ashiya City Museum of Art & History. The exhibition toured to the Shizuoka Prefectural Museum of Art, Shizuoka. Four works were reconstructed: the work made of pink rayon, Work(Bell), Stage Clothes, and a cross-shaped work.
2005
Died in Nara city due to pneumonia.
2007
The work made of pink rayon and Electric Dress and some other works were displayed at Documenta 12 (Fridericianum Museum, Germany).
2008
Tanaka's works: Work(Bell), Spring 1966 were included at the 16th Biennale of Sydney, Revolutions - Forms That Turn, Sydney (Art Gallery of New South Wales). Exhibition Rose is a Rose is a Rose: Yayoi Kusama, Atsuko Tanaka, Tsuruko Yamazaki (Foundation De Elf Lijnen, Oudenburg, Belgium), was held including Work(Bell) and some others.
2009
The work Pink Rayon hung on the wall and Work(Bell) was featured at the 53th Venice Biennale.
2011-12
A major retrospective show Atsuko Tanaka: The Art of Connecting (Ikon Gallery, Birmingham, UK / Espai d'Art Contemporani de Castello, Spain / Museum of Contemporary Art Tokyo) was held with approximately a hundred of selected works of Tanaka which includes Calendar, Work(Bell), and Electric Dress.

 

訂閱電子報接收最新資訊

透過成為我們的電子報會員獲取最新的展覽情報以及會員獨家活動!